Wednesday, August 3, 2011
Zandrea, Peer Response-Caroline's Project Book
Peer Response, Nicole Kirkpatrick
Translation, Nicole Kirkpatrick
Monday, August 1, 2011
Translation to Teaching
One of the most important things I learned this week was to focus on play and “playing with purpose” both in my creative process and my teaching. Both the sketchbook and printmaking class had an element of mystery. The enthusiasm, flexibility, and transparency of the teacher(s) created an attitude that everything is possible, and reminded me how exciting it is to remain curious and constantly explore the creative process. I hope to take this attitude back into my classroom. The exercises that enforced this playful and exploratory way of drawing were the “mystery object drawings” (touch drawings) and the memory drawings. Both pushed me out of my comfort zone with drawing. For the mystery object we had to touch an unknown object and translate that sensation into a drawing. Usually when I draw I aim for realism and get frustrated if I can't reproduced the correct proportion, texture, or angle of the object. By not looking at the object we were drawing I could not get stuck in my desire and expectation for realism. I loved how Lauren walked us through the memory drawing by asking us to mentally recall a family portrait and our favorite dress. I typically rely so heavily on observational drawing, I feel like I can’t draw it if I can’t see it. In these exercises I learned to mentally picture the image or object and focus on that while I was drawing. With the dress drawing we closed our eyes for much of the process so the end result was an abstract and wonderful surprise. We could then work back into the image making choices and changes, but I really like the initial image because it seemed so "free" and "unrestrained." I think I will use both these exercises to give my students a new connection to drawing. It made me less fearless and forced me not to “over think” my work. Many of my students get nervous about drawing so I hope by adapting these methods to my printmaking classroom I can introduce my students to a new approach to drawing that is focused on playing and being open in the creative process. I plan also to try the blindfolded partner drawing and one-minute sculpture figure drawings. In the past I have avoided my student’s fears of drawing by allowing them to trace images, but I realize now how freeing drawing can be and how it can be a truly unique tool for expressing the self.
Peer response
I left this comment on Dawn's Found Drawings, but I wanted to repost it under the "Peer Response" title too.
I think these are great! Not only did you transform a ridiculously bad situation, like your hotel catching on fire, into a refined, sleek image; but you’ve made me curious. From first glance I can’t quite figure out what the image is, I can’t tell the scale or even the material. I am attracted to the black and white composition and I love what you’ve done to the blue color. Repeating the form and cropping the shapes really alters my expectations. I think these are really strong works and I would like to see them very large. Nice Job!
Sunday, July 31, 2011
Translation to Teaching
One of the important strategies I learned during this class was to give restrictions. Don't give every option in the world. Give an assignment and only allow one medium, or finite time, or one prop. Exercises like the doughnut drawings, or the paper and tape project force you to creatively use the limited materials you have and go above and beyond to create something special.
Found Drawings
The campus is overflowing with the rectangular cuboids. When looking closer, you see that each brick has a unique design. Each brick seems to be imprinted with different shapes and colors.
I couldn't believe I never looked closely enough to see it. But now that I have, the millions of bricks around campus now stood out and had individual meanings.
Saturday, July 30, 2011
Altered Book
Friday, July 29, 2011
Project Book
Thursday, July 28, 2011
melissa swift, favorites
melissa swift, found drawing
Wednesday, July 27, 2011
Translation to Teaching
Project Book
I love the idea of a Project Book. I have never planned out a project in this way. My project book is based on my four dogs. Through research I actually learned a little more about the temperment of each of the different breeds of dogs that I have. I then started thinking about how truly unique each dog is which led me to their eyes. Dogs can say so much with just the eyes. They show happiness and sadness with just a change in the eyes. My thoughts led me to doing large scale paintings of dog eyes. Upon further travels in my brain, I got to thinking about the markings of the different breeds. Another large scale, close up of their abstraction of dog markings came to mind. The other idea I stumbled upon was doing large scale paintings of the different features. I really like the brown wash close up of my Lab's freckley nose.
Found Drawing, Nicole Kirkpatrick
Found Drawings
I had an idea immediately when I was walking to the bus stop. My idea was to take pics of the...what I named..."road nuggets." These are the little bumps that are placed in the center of the lanes on most roads. I thought that organic shape of the tar used to place the geometric shape of the "nugget" would be great for this project.
Peer Response
Tuesday, July 26, 2011
Zandrea, Translation
Monday, July 25, 2011
Cherie Smith, Altered Book
The strong reaction I had to the process of creating the altered book took me by surprise. I was a little off balance from the beginning. I also had a strong reaction to using the old images and photographs I had brought with me. Even during the final discussion I resisted the impulse to say that my altered book told a story. I only realized in the quiet of my home that every image that ended up in my altered book was a picture of someone who directly influenced my choice to start a master's program and further my education. So my book is telling a story...it is remembering the guides who have led me down this path thus far.